In Shintō, deities are believed to live in springs, rivers, trees, and mountains, imbuing nature with divinity, and of course these natural features changed with each passing month. Both demonstrate an interest in the changing seasons and how this affects nature, as well as the ways that the divine could manifest itself in the landscape. Interest in nature and the ephemerality of the four seasons was also tied to different religious belief systems in Japan, including Shintō (a religion native to Japan) and Buddhism (introduced to Japan in the 6th century). Poets have even developed entire anthologies that focused on nature and the seasons, and used them as a way to explore the passage of time and human emotion. Seasons have stood for the endless cycles of nature, the impermanence of each season as it gives way to the next, and the spiritual and social calendar of season-specific rituals and festivals that articulate the year. Interest in the rhythm of the four seasons specifically is one of the oldest and most enduring topics in Japanese poetry, painting and calligraphy, ceramics and lacquerware, and many other forms of craftsmanship and artistic expression. Regardless of the different ways artists have chosen to visualize seasonal transformation, one thing is clear: nature and the seasons have played a vital role as a source of inspiration and subject matter in the arts of Japan for thousands of years. Visual references to the changing seasons may also be shown subtly-a single branch of a tree might show a few budding blossoms, the lightest dust of snow, or mists obscuring our view of it. A seventeenth-century lacquerware ewer, for instance, pairs chrysanthemums (that bloom in summer) and paulownia (that bloom in spring). Japanese artists have also taken other approaches to visualizing nature and the four seasons, with some only hinting at the ephemerality of the seasons. Elena FitzPatrick Sifford on casta paintings Reframing Art History, a new kind of textbook.Not your grandfather’s art history: a BIPOC Reader.With 503 contributors from 201 colleges, universities, museums, and researchĬenters, Smarthistory is the most-visited art history resource in the world. We believe that the brilliant histories of art belong to everyone, no matter their background. At Smarthistory, the Center for Public Art History, we believe art has the power to transform lives and to build understanding across cultures.
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